http://www.flickr.com/photos/patriciamarch/ Patricia March I was born in Valencia, Spain. I cursed fine arts in the “San Carlos University of fine arts in Valencia”, and when I finished, I studied a master in cinematography.I was already interested in movement and time, so since them I try to apply my vision about cinema in my drawings. I think that what you like apart from art is what makes you individual as an artist. The movement of the people I draw, reminds me in someway to my own time perception. The time is for me something like water. Water erodes, destroys the form while building new ones. Like the rain, time is cyclic, so in my drawings there is a double reading, one from left to right and the other from right to left. The characters seem dominated by water movement, while resurfacing. That’s my perception of time, different from yours and vice versa. So I use a paper called paper polyester, which allows me to perform these washes and erosion. I am now installed in a Studio in Valencia, and I have some exhibitions in my city and in Paris. Time will decide the rest…

http://www.flickr.com/photos/patriciamarch/

Patricia March

I was born in Valencia, Spain. I cursed fine arts in the “San Carlos University of fine arts in Valencia”, and when I finished, I studied a master in cinematography.I was already interested in movement and time, so since them I try to apply my vision about cinema in my drawings. I think that what you like apart from art is what makes you individual as an artist. The movement of the people I draw, reminds me in someway to my own time perception.
The time is for me something like water. Water erodes, destroys the form while building new ones. Like the rain, time is cyclic, so in my drawings there is a double reading, one from left to right and the other from right to left. The characters seem dominated by water movement, while resurfacing. That’s my perception of time, different from yours and vice versa. So I use a paper called paper polyester, which allows me to perform these washes and erosion.
I am now installed in a Studio in Valencia, and I have some exhibitions in my city and in Paris. Time will decide the rest…

(via ceremonia1s)

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Artist ROB TARBELL mounts paper to the ceiling and then burns everyday objects like credit cards and photos to create his mesmerizing smoke art. The paper captures his desired images, in this case, circus horses, elephants and zebras, in a series he calls Smoke Rings. The performing animals appear almost ghost-like, their wildness tamed. Taken out of their natural habitat and trained to jump through hoops or balance on platforms, they’re similar to the smoke that has been controlled by the artist to create these stunning images. “The performing animal images in the Smokes parallel the drawing process,” Tarbell says on his website. “The trainer must recognize and respect the innate nature of an animal when trying to modify its behavior to achieve a desired outcome: e.g. training a bear to dance or training a horse to walk upright. The same is true in working with smoke. The inherent properties of smoke must be respected, then permitted to - and yet discouraged from - acting naturally.”

Artist ROB TARBELL mounts paper to the ceiling and then burns everyday objects like credit cards and photos to create his mesmerizing smoke art. The paper captures his desired images, in this case, circus horses, elephants and zebras, in a series he calls Smoke Rings. The performing animals appear almost ghost-like, their wildness tamed. Taken out of their natural habitat and trained to jump through hoops or balance on platforms, they’re similar to the smoke that has been controlled by the artist to create these stunning images.

“The performing animal images in the Smokes parallel the drawing process,” Tarbell says on his website. “The trainer must recognize and respect the innate nature of an animal when trying to modify its behavior to achieve a desired outcome: e.g. training a bear to dance or training a horse to walk upright. The same is true in working with smoke. The inherent properties of smoke must be respected, then permitted to - and yet discouraged from - acting naturally.”

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